Sweet Valley High #106: Beware the Wolfman

Read part one of this miniseries here. Read part two here.

The Moral of the Story: I … I got nothing.


The twins aren’t speaking to each other because Jessica thinks it’s Liz’s fault that everyone thinks her boyfriend is a murdering werewolf. They’re both out to find the truth, but neither wants the other to know what she’s doing. Jessica sneaks into the house of Dr. Neville, the first murder victim. She finds a file labeled “S., Annabelle.” The only thing in the file is a report that Annabelle died from pneumonia nine years ago. Jessica thinks it’s weird that there’s nothing else in the file and she puts it in her bag. She hears someone else in the house and crawls out the window just before Liz comes in. Liz decides to take the file on Robert Pembroke, then goes through the doctor’s Rolodex. She comes across a business card for Mildred Price, Robert’s childhood nanny, and is certain Robert is hiding out at her house. She starts to write down Mildred’s information, but then a noise scares her. She just takes the card and leaves just before the murderer comes in. The unnamed werewolf searches through Dr. Neville’s filing cabinet, goes into a rage about one of the twins having stolen something, and then sees Mildred Price’s name written down next to the Rolodex. He thinks, “Nanny Millie,” and leaves.

Liz goes back to the boardinghouse that night and gets all homesick for Sweet Valley. Then she thinks how lucky she is to have found Luke. She thinks about calling him and then realizes he never gave her his number. Liz looks at the necklace Luke gave her. There’s an “A” engraved on the back of the medallion and Liz wonders if “A” was Luke’s mother, who got him interested in werewolves. Pat, I think I’d like to solve the puzzle. Liz is convinced the medallion has kept her out of danger, but she thinks her twin needs it more than she does so she puts it in Jessica’s bag. Besides, she still has the silver bullet Luke gave her.

The next morning, Jessica wakes up late for work and rushes out the door. Halfway to the tube station, she realizes she’s forgotten her bag. She goes back for it, and when she gets to her room, it’s clear someone has been there. The door is open and Jessica’s bed is made. Jessica has no doubt that Robert has been there. I don’t know why.

When Liz gets to work, Luke asks her where her necklace is. Liz explains that she gave it to Jessica, and then asks about the inscription on the pendant. Luke says the necklace did indeed belong to his mother, Ann. Then Tony Frank, who was just promoted to the crime desk, says there’s been another murder. The victim is Mildred Price. Of course. Liz and Tony leave to investigate.

Then there’s another scene of the murderer tearing the twins’ room apart. He finds the file labeled “Robert Pembroke, Jr.” and the one labeled “S., Annabelle.” That’s great, but he knows one of the twins has a silver bullet. Unfortunately, no amount of vandalism will make it appear. The murderer leaves, figuring the twins have the bullet.

When the twins get home from work that night, they each say they’re missing a file and Liz says her silver bullet is missing. Later, Jessica is looking at the medallion she found in her bag and notices the engraving. She puts the initial together with the file she found and asks Liz where Luke got the medallion. Liz says he got it from his mother, Ann. Jessica thinks, “Ann, not Annabelle. So much for that brilliant idea.” Sigh.

The next morning, the twins find out Lord Pembroke Senior himself has been attacked. Jessica goes to see him at the hospital, and the man is all kinds of doped up. He sees Jessica’s necklace and says it looks like the one he gave Annabelle, the only woman he ever really loved. Then he says he wants Jessica to tell Robert he has a brother.

Liz decides it’s a good time to go snoop around Pembroke Manor some more while the Pembrokes are in the city. Tony Frank goes with her, and she shows him the secret werewolf room. They find a box full of letters from Annabelle. The letters tell them that Lord Pembroke and Annabelle were in love, but couldn’t marry because of their different classes. Annabelle had a baby at some point. Liz and Tony figure he could be anywhere from nine to nineteen years old. They wonder if Robert’s killing spree could somehow be a result of learning he has an illegitimate brother. When Liz tells Luke about Annabelle, he gets all intense and weird and tells her not to go where the werewolf can find her.

That night, the twins have another argument because Liz is a bitch and Jessica is a drama queen. Later, Liz is feeling sad and wants to talk to someone. She goes to Rene’s room and knocks on the door, but he doesn’t answer. She tries to open the door, but it’s locked. For some reason, this sends Liz into a rage and she’s all pissed off at Rene for never being there for her. (I think this is all part of a ploy to make us think Rene is the murderer. There have been a couple scenes in which he’s “acted strangely.” Anyway, Liz is a bitch.)

Jessica goes to Pembroke Green, the family’s city residence, and makes Lady Pembroke talk to her by saying she knows about Annabelle. So Lady Pembroke starts talking and says she hated her husband for having an affair, but also for sending money and resources, including Nanny Millie, to his bastard child. Jessica starts to think the other son must be the murderer. Then Lady Pembroke says, “Lucas is an evil name,” citing that as proof that the boy is no good. Jessica jumps to her feet, shouting that Luke is the killer. I’m surprised she didn’t think, “Oh, she said Lucas, not Luke.” Anyway, she runs out of the house to a telephone box (why didn’t she use the Pembrokes’ phone?) and calls the dorm and the Journal. Liz isn’t in either place. She calls Tony Frank and finds out Liz took Luke with her to check out Annabelle’s old house. He tells Jessica the street name, and Jessica hails a taxi.

Annabelle’s house is in the ghetto, as evidenced by the homeless man outside. There’s no power, so Luke goes to the basement to try to find a fuse box. While he’s doing that, Liz goes upstairs. She finds a bedroom and seems surprised to find someone lives in it. There are newspaper clippings all over the walls, and Liz is kind of horrified to discover they all have something to do with the Pembroke family. Then she opens a diary and reads a passage about the writer waking up on his father’s estate with ripped clothes and blood all over him. Then Liz looks up to see the werewolf in the doorway. She gets scared, but then realizes the wolfman is wearing Luke’s clothes. Liz laughs and tells Luke to take off that horrible mask. He tells her it’s not a mask and Liz gets scared again because her boyfriend is clearly a psychopath.

Luke does an evil villain speech about how he and his mother were denied awesome Pembroke-ish things, and explains that when Annabelle died, Luke vowed to get back at everyone. When he’s done talking, he lunges for Liz, but just then the homeless guy from outside comes in and points a gun at Luke. Liz is relieved to see the homeless guy is really Robert in disguise. Robert says he has the silver bullet. Then Rene and Sergeant Bumpo come in. There’s a scuffle, and Luke gets shot. His mask slips off and he tells Liz they got the werewolf. Then he dies.

In conclusion:

  • Luke was a psychotic wannabe werewolf who actually had no idea he was murdering people and framing his brother during his blackouts.
  • Robert disguised himself as a homeless man so he could watch over Jessica.
  • Rene has been following Liz around to keep an eye on her, which explains his strange behavior.
  • Lord Pembroke recovers and turns ownership of the newspaper over to Robert.
  • Lucy Friday and Tony Frank get married.


Jessica had a feeling this fight wasn’t going to blow over. It was the worst one ever.

Even worse than that time you got Liz drunk and she killed your boyfriend? Must be pretty bad.

The Cover: Stop wearing those stupid fucking trenchcoats!

And now, fair readers, I need a break. I think I’ll take next week off, at least some of it. I need to get my head on straight again after the ridiculousness of these last few books.